BATMENICE is a monumental panoramic imagined intervention that transforms the architecture of Venice into a hyper saturated comic theatre of collapse, spectacle, and urban mythology. Stretching across the facades of Piazza San Marco, the work fuses Pop Art aesthetics, digital montage, and superhero iconography to explore themes of power, fragility, absurdity, and collective anxiety. Through oversized BATMAN explosions "SPLATT!", "POW!!", "ZOWIE!" the piece converts the historic cityscape into a psychologically charged battleground where humour, catastrophe, and cultural memory collide; balancing nostalgia, visual excess, and tension within a playful yet unsettling public spectacle. 

STANDBY is an imagined installation created during a residency with the Belgrade Arts Centre. It explores absence, suspension, and restriction through a vacated exhibition space of locked boxes, sealed entrances, and prohibitive signage. Responding to lockdown and cancel culture, it stages a paused condition where meaning is withheld and deferred.

ELERGY recreates the powerful gesture of mothers who placed 109 prams in public space to represent children killed during the war. This proposed recreation aims to reflect on this grief, loss, and the visibility of civilian suffering. While rooted in Ukraine, this imagined installation resonates across multiple global conflicts, echoing the ongoing tragedy of displaced and forgotten young lives, on both saides of every war.